Friday, 5 October 2012

Pimp My ROM Tweaks Your Rooted Android Phone in Every Way Imaginable [Customization]

Pimp My ROM Tweaks Your Rooted Android Phone in Every Way ImaginableAndroid (rooted): The best thing about having a rooted Android phone is the endless number of tweaks you can apply to make it run faster, last longer, look better, and otherwise perform its very best. Pimp My ROM is a new tool that contains loads of different Android tweaks, themes, and features that you can apply from one unified checklist.

Every ROM has its perks, but nothing's better than digging deep and customizing each and every individual feature you want on your phone. Pimp My ROM is the best new way to do that: just flash it like you would a regular ROM, and it'll take you through the process of applying any tweak you can imagine. Some of the more awesome ones include:

  • Faster internet browsing
  • Longer battery life
  • Improved multitasking
  • Better JPG image quality
  • Higher quality recording from the camera
  • Faster scrolling
  • More responsive touch controls
  • Extra themes

And this is just a very small smattering of what you'll find. Some of the tweaks are a bit more advanced, but many of them we've talked about before. And if you stumble across one you don't know, do a bit of research on what it does. Armed with a bit of knowledge, you can do a lot of awesome things with this tool. Hit the link to see everything it can do, instructions on how to use it, and more.

Pimp My ROM | XDA Developers via #tips

Image remixed from Mike Elliot (Shutterstock).

Source: http://feeds.gawker.com/~r/lifehacker/full/~3/U0NwG95W-Ow/pimp-my-rom-tweaks-your-rooted-android-phone-in-every-way-imaginable

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Thursday, 4 October 2012

Fears abound ahead of close Venezuelan elections

In this Sept. 27, 2012 photo, a poster of Venezuela's President Hugo Chavez hangs on the door where Maria Perez carries her granddaughter out of the room where they live that was once a school room and is now part of a government provided shelter for families who lost their homes due to flooding, in Caracas, Venezuela. Fear of every stripe, like the loss of government housing like this one, permeates the intensely polarized election campaign, with many votes to be decided based not on the candidates' promises but rather on what worries people most. Chavez has continuously warning of chaos and the dismantling of the generous welfare state he built if he is voted out of office in the Oct. 7 vote. (AP Photo/Fernando Llano)

In this Sept. 27, 2012 photo, a poster of Venezuela's President Hugo Chavez hangs on the door where Maria Perez carries her granddaughter out of the room where they live that was once a school room and is now part of a government provided shelter for families who lost their homes due to flooding, in Caracas, Venezuela. Fear of every stripe, like the loss of government housing like this one, permeates the intensely polarized election campaign, with many votes to be decided based not on the candidates' promises but rather on what worries people most. Chavez has continuously warning of chaos and the dismantling of the generous welfare state he built if he is voted out of office in the Oct. 7 vote. (AP Photo/Fernando Llano)

In this Sept. 27, 2012 photo, Maribel Rodriguez, right, sits with her daughters as they do their homework in the room where they live that was once a school but is now a government provided shelter for families who have lost their homes due to flooding, in Caracas, Venezuela. Fear of every stripe, like the loss of government housing like this one, permeates the intensely polarized election campaign, with many votes to be decided based not on the candidates' promises but rather on what worries people most. Chavez has continuously warning of chaos and the dismantling of the generous welfare state he built if he is voted out of office in the Oct. 7 vote. (AP Photo/Fernando Llano)

In this Sept. 27, 2012 photo, a woman walks in a hallway inside what was once a school and is now a government provided shelter for families who have lost their homes due to flooding, in Caracas, Venezuela. Fear of every stripe, like the loss of government housing like this one, permeates the intensely polarized election campaign, with many votes to be decided based not on the candidates' promises but rather on what worries people most. Chavez has continuously warning of chaos and the dismantling of the generous welfare state he built if he is voted out of office in the Oct. 7 vote. (AP Photo/Fernando Llano)

In this Sept. 27, 2012 photo, a cat rests on a bed inside a room that was once a school room and is now part of a government provided shelter for families who lost their homes due to flooding, in Caracas, Venezuela. Fear of every stripe, like the loss of government housing like this one, permeates the intensely polarized election campaign, with many votes to be decided based not on the candidates' promises but rather on what worries people most. Chavez has continuously warning of chaos and the dismantling of the generous welfare state he built if he is voted out of office in the Oct. 7 vote. (AP Photo/Fernando Llano)

Venezuela's President Hugo Chavez holding hands with his daughter Rosa Virginia, left, gestures to supporters during a campaign rally in Yaracuy, Venezuela, Tuesday, Oct. 2, 2012. Venezuela's presidential election is scheduled for Oct. 7. (AP Photo/Rodrigo Abd)

(AP) ? Venezuelan voters Luis Gustavo Marin and Dunia Nessi are on opposite sides of the political spectrum, but as Sunday's election draws closer they both fear what will happen if their candidate loses.

Marin, the security chief for a judge and a firm supporter of President Hugo Chavez, worries that opposition candidate Henrique Capriles will launch a violent purge of Chavez supporters if he wins. If the president prevails, Nessi, a 62-year-old accountant, believes violent crime that has run rampant under Chavez will spiral even further out of control.

"There is absolutely no security," Nessi said. "If he wins I'll either have to stay and live with the tension or I can pack two suitcases, throw four things into them and leave."

Fear of every stripe, in fact, permeates the intensely polarized campaign, with many votes to be decided based not on the candidates' promises but rather on what worries people most. Capriles has intentionally avoided stoking voter fears.

"There will be neither hate, nor revenge, nor payback" if he is elected, Capriles told a rally Wednesday in Maracaibo, the country's second city.

But Chavez has taken an opposite tack by continuously warning of chaos and the dismantling of the generous welfare state he built if he is voted out of office.

Tensions were only heightened when two members of a Capriles caravan were shot dead Saturday in the western state of Barinas. The victims' relatives blamed Chavez supporters and said the attack was unprovoked. Both Capriles and Chavez called for non-violence in the wake of the killings, even as the president continued using heated rhetoric.

For the first time facing such a formidable challenger, Chavez has painted a dire picture of a Venezuela returning to its stratified past when it was ruled by greedy elites, which Chavez says Capriles represents.

"I believe that this is true, if the Venezuelan bourgeoisie tries to apply this package Venezuela could see a civil war," Chavez said last month at a rally in Charallave in central Venezuela.

Chavez repeats almost daily that his opponent would take away benefits funded in part by nearly $1 trillion in income from petroleum exports over the past decade, no matter that Capriles has pledged to leave the programs alone. Free medical care, subsidized food and other entitlements have helped lift tens of thousands of people out of poverty, government figures show.

"They would take away health care, food, pensions," Chavez told supporters Tuesday at a rally in the western city of Barquisimeto.

The president's supporters, known as Chavistas, say they also fear that Capriles will launch a witch hunt if he wins.

"We saw the model of government they are going to apply on April 11, 2002," Marin said, referring to a failed attempt to overthrow Chavez that the military thwarted. In the hours shortly after the coup, interim President Pedro Carmona Estanga famously dissolved Congress and disbanded the Supreme Court.

For their part, Chavez critics point to what they say is a coordinated attempt to shut them up and force them to back the president.

Some government workers have said they worry about losing their jobs if they support Capriles. Fears of retribution for not backing Chavez first emerged in 2004 when a ruling party deputy released a list of some 2 million people who had supported a referendum against the president. Many complained then that state employees on the list were fired. The national government employs at least 2.4 million people.

Adding to those fears, some suspect their ballots won't be kept secret, despite assurances to the contrary from the Chavez-dominated National Electoral Council. The government did not invite international electoral observers, so the Capriles camp has mounted its own parallel organization of vote talliers and says it will have volunteers at every polling station feeding a central tally kept by the opposition.

Despite such concerns, voter turnout Sunday is expected to top 75 percent.

"My husband tells me he is obliged to vote for Chavez because he works with the government," said Maribel Rodriguez, a 42-year-old homemaker who lives with 83 other people in a small school in the poor neighborhood of Catia, west of the capital. "What sort of democracy do we have?"

In an April 2011 poll, the Jesuit-backed Centro Gumilla research center found that 42.6 percent of poor Venezuelans were afraid to talk politics for fear of losing government benefits or jobs. The survey of 2,000 people had an error margin of 3 percentage points.

Luis Salamanca, the political scientist who coordinated the study, said the high number, about 10 percent, of voters who won't reveal their preference or are still undecided shows many Venezuelans have "taken refuge in indecision as a protective mechanism."

Some are even stocking up on food and emergency supplies ahead of the vote.

"Here is a person who possibly won't want to concede. A person who has many years in power and for whom it would not be easy," said Belitza Perez, a 36-year-old physical therapist and the mother of a one-year-old. "Do you think that Chavez will put the (presidential) sash on Capriles? No, he is not going to give it over that easily."

On Tuesday, Defense Minister Henry Rangel added more fuel to the already charged political climate by claiming in a TV interview that Capriles plans to dismantle the country's armed forces, which is constitutionally neutral but packed with Chavez loyalists. Chavez supporters have also said some high-ranking members of the Chavez administration could face criminal investigation or lose influence overnight if their patron is voted out of office.

Marin, the Chavez-supporting security chief, couldn't be considered a high-ranking government official but he still fears what will happen to him under a new government: "I think that we would be hunted down."

___

Associated Press writer Vivian Sequera contributed to this report.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/cae69a7523db45408eeb2b3a98c0c9c5/Article_2012-10-03-LT-Venezuela-Fear-Factor/id-48c2b81025a549e59d26102703629d4e

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Hackers strike against Swedish websites

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Source: http://news.yahoo.com/hackers-strike-against-swedish-websites-130924586.html

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Sandia Labs' MegaDroid Plays Security War Games

Sandia National Laboratories announced on Tuesday that it has set up a network of 300,000 Android virtual handheld computing devices to study large networks of smartphones. The project, called "MegaDroid," is expected to result in a software tool that will let other cyber-researchers model similar environments and study the behavior of smartphone networks.


Source: http://ectnews.com.feedsportal.com/c/34520/f/632000/s/241f1311/l/0L0Stechnewsworld0N0Crsstory0C76310A0Bhtml/story01.htm

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Pennsylvania Judge Blocks Voter-ID Law (WSJ)

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Source: http://news.feedzilla.com/en_us/stories/politics/top-stories/252662997?client_source=feed&format=rss

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Kid-friendly MEEP! Android tablet goes on sale

Android Central

Oregon Scientific has just launched a a kid-friendly Android tablet, now on sale for a scant $149.99. Though it might have modest specs, the MEEP! tablet includes a whole range of parental controls through a web-based interface and kid-friendly apps, e-books, and games suitable for anyone 6 years old and up. It also comes with a silicone sleeve to help soak up the inevitable punishment your kids will lay into this thing. There's also a whole range of tailor-made accessories to go along with it, like a game pad, headphones, case, and a bunch of instruments for music games. Here are the specs, but don't expect too much.

  • Android 4.0 Ice Cream Sandwich
  • 1 GHz processor 512 MB of RAM
  • 7-inch 800 x 480 display
  • 4 GB of internal storage plus microSD card slot
  • 0.3 megapixel front-facing camera
  • HDMI-out

The affordability and relatively low-end specs make this tablet at least somewhat disposable, which strikes me as important for something that kids are likely to break or forget somewhere. 

Parents, if you're interested in giving your kids their own device so they don't keep reaching for yours, you can pick up a MEEP! tablet from over here. How connected are your kids? When would you say is a good age to get a kid their own Android device? How about smartphone?

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Source: http://feedproxy.google.com/~r/androidcentral/~3/9yFtajA4kKs/story01.htm

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Bruce Willis, 'Looper' Star, On 'Die Hard,' 'Moonrise Kingdom ...

It was about 2:30 in the afternoon yesterday when my phone rang. The Caller ID was blocked, so I picked up the receiver and said, "Hello?"

"I'm looking for Mike Ryan," a raspy yet oddly familiar voice replied. "This is?" I said, sheepishly, hoping that our conversation wouldn't be followed by a knock at my door and a summons. "Hey, this is Bruce Willis," the voice responded. This would have been a perfectly reasonable start to an interview ... if I had known that I was interviewing Bruce Willis.

The day before, I had been told that Bruce Willis might be available for interviews in support of his new time-travel thriller, "Looper." That's it. Smash cut: He's calling my cell phone with no warning. (Apparently, he decided to bypass the studio press office and handle this round of interviews personally, John McClane-style.) Normally, I would have prepared pretty intensely for an interview like this. Not this time.

Mike Ryan: So I had no idea you were calling. I was asked if I was interested in talking to you, but that's the last I had heard.
Bruce Willis: Figures. Welcome to Hollywood. Should I call back later?

You know what, let's try it. We can talk about "Looper," which is great.
It is doing great. It's an interesting thing to see a film come to this fine point.

It's not like you haven't done interesting roles in the past, but I really liked seeing you in both "Looper" and "Moonrise Kingdom."
Yes, I do, too. I've been asked a lot lately how these two things came about in the same year. On both films, nobody knew when we started what the outcome was going to be and what the response to these stories was going to be. And now they have both come out and they both got ... surprised responses to them. I was just taking a shot. I wanted to work with Wes Anderson and I wanted to work on "Looper" and work with Rian Johnson. And that was about the acting work -- my contribution is just that. I just had my own drive to work with these storytellers.

It's weird to hear you say, "I was just taking a shot." I mean, you're Bruce Willis. Why do you have to take a shot?
Because telling a good story, on any level -- telling a good story in a bar, telling a good story on a film, telling a good story in a book, in an article -- always remains a challenge, doesn't it? And even if you tell a great story, it's never a sure thing to know which films or which stories are going to get noticed. Or get more noticed than other stories do.

Can you tell if that's going to happen when you're filming?
Both films had an appeal and had great scenes in them -- that when we were doing them I was like, "Oh, yeah, that was fun and funny and, in some cases, novel." And in the case of "Looper," when you're making the film, you're just chopping out the scenes. You know, you're doing what you're supposed to be doing. And getting, for the most part, the emotional scenes down and getting what Rian wanted. But after the film gets music and a big score and all of the other scenes are woven into it, it becomes a much bigger tapestry -- a much bigger story and a much richer story.

I feel the lower budget of "Looper" made it grittier and better. Does that make sense?
It absolutely does. Rian Johnson is always really sure-handed and is really sure of what story he wanted to tell. What themes he wanted to include may have been a little surprising to people. The level of violence was a theme -- it was a chosen theme. Because if you look at the opposite of that and say, "A futuristic world does not include violence," that would be a completely different theme.

You're playing John McClane again, too, [in "A Good Day to Die Hard"]. What do you like doing more at this point?
Well, I like challenges. I like trying to do things where there is a risk of failure. There's a risk of going, "I didn't quite do what I wanted with that." Or, it didn't quite live up to what I thought I was going to get to." So I like challenges. It's me competing with myself. You know, it's a solitary game for most actors -- you really are competing with yourself. I don't feel like I'm competing with any other films out there.

Is there still a risk to doing another "Die Hard" movie?
Yeah, the risk is more ... I guess it's a personal challenge. Because there are gaps of time between each movie. It's a kind of ageist tryptic: "Oh, OK, now I'm this age," and trying to tell that action movie, "Die Hard" theme -- but I'm a little older. How fast can I run? How well can I fight? So that's a challenge and, you know, it's a fun thing to do. There's a story, if you look at all of them from the first film to the one we just did. And you see me age over these films -- that has its own interest to me.

We see you age, but I feel that you're doing pretty well for yourself in the "in shape" department.
Well, it's part of it. And I need to be in shape now to be able to lift up my little baby girl and carry her around. It kind of works out on a lot of levels.

Keep in mind that I'm making questions up on the fly ...
[Laughs] Right ...

Is it weird that I liked "Hudson Hawk"? People did not respond well to that movie.
I like it a lot. I still take pride in that film. it was just a little outside the realm of what people [expected]. You know, some people come to the theater and they go, "I only want to see him do this kind of film." And that was, it was satire. We were trying to make each other laugh -- make the actors laugh. We had a really funny cast, and a lot of people didn't get to see the film because the critics chose this picture to, you know, take the trash out on.

And they did.
Every once in a while the press wants to say, "Now we're just going to take this card out and throw down the ace of spades and say, 'We're not going to like this film.'" There are a lot of people who caught on to this film, and I hear it referred to as a cult film, still. And from a studio's point of view, the film is in profit.

I didn't know that.
Yeah, no one else will tell you that. But it is. They're still grinding the wheat on that. So...

Before you made "The Sixth Sense," you made "Mercury Rising," which also co-starred a child. Were you hesitant at all to make "The Sixth Sense" because of that factor?
I remember really clearly the impact the script of "The Sixth Sense" had on me. It was so unlike anything else I had read. I read it in the first hour that I was given the script. And, two hours later, I said, "I want to do this film." And I didn't think about any of the elements -- just that I was so fooled by typewritten words. And I was so completely surprised at the end of it, "Oh, man!" It's a really difficult trick to do. I don't compare my prior work with anything I read. Although, having done as many films as I've done, I do have some science-fiction and supernatural themes in some of the films that I've done. I'm just drawn to it. "12 Monkeys" was also an "off the charts" story.

I've seen a lot of comparisons between "12 Monkeys" and "Looper."
They're very similar.

When you think back, are those two of the movies that you are most proud of?
Yeah. I mean, all three, they're novel stories. "Moonrise Kingdom" is a very novel story. There's nothing like it, except another Wes Anderson film. And even in his library, I think he would say, too, that "Moonrise Kingdom" was really different than anything he has ever done. And highly romantic. I mean, "Moonrise Kingdom" is a romantic film. And there's some romance in the science fiction of "Looper" that we didn't really talk about. We were just talking about, "OK, here's what we want to see happen in this scene -- and now you're going to do this and you're going to do some horrific things." But the stuff that comes out of it is kind of romantic. And that ending is a pretty big surprise.

What are your memories today of "Moonlighting"? There were always stories of friction on the set, but, now, 25 years later, are those good memories for you?
I have a lot of good memories about it -- a lot of great memories about it. There are all of those memories I have about the fun and frantic pace we were working at to get ten pages every day, out of seven shooting days. That's one thing. The other thing is it was a huge quantum leap for me. I had just been doing theater in New York and I think I had done one TV role, on "Miami Vice." And then I got this job in California and it was a huge leap. A very exciting time --- just to be able to offered that kind of work and then get a job where you do it for five years. And you're just racing through it. And it's a huge catalog of stories now.

Under the circumstances, I hope this went OK.
It was great -- hey, it's just a conversation. And I'm really pleased how well "Looper" turned out. And I'm really pleased for everyone involved. The actors -- and especially for Rian. He knew what he wanted, got the cast he wanted, told the story he wanted and never had to compromise. And that story is an uncompromised science-fiction, crazy, violent, romantic, modern film.

Mike Ryan is senior writer for Huffington Post Entertainment. You can contact him directly on Twitter.'

  • Richard Corliss (TIME Magazine)

    A fanciful film with the patina of hyper-realism, Looper is well served by actors who behave not as if they were dropped carelessly into the future but spent their whole desperate lives there.

  • Ben Sachs (Chicago Reader)

    The dystopian setting... makes for some bold cultural commentary, but as usual with Johnson, <a href="http://www.chicagoreader.com/chicago/looper/Film?oid=7424334">the engaging ideas feel like affectations rather than products of a fully developed sensibility</a>.

  • Joe Neumaier (New York Daily News)

    Gordon-Levitt is flinty, and Willis, on his A-game, is fiery. Together, <a href="http://www.nydailynews.com/entertainment/tv-movies/movie-review-looper-article-1.1169552">they take us on a helluva trip</a>.

  • Roger Ebert (Chicago Sun-Times)

    "Looper" weaves between past and present in a way that gives Johnson <a href="http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20120926/REVIEWS/120929993">and his actors opportunities to create a surprisingly involving narrative</a>.

  • Christy Lemire (Associated Press)

    Johnson establishes the machinery of the time-travel concept, <a href="http://seattletimes.com/html/entertainment/2019259160_apusfilmreviewlooper.html?syndication=rss">then steadily pushes it into the background in favor of exploring his characters and the difficult questions they face</a>.

  • Alison Willmore (Movieline)

    A clever, clever contraption about trading in your future to feed your present, <a href="http://movieline.com/2012/09/26/review-looper-joseph-gordon-levitt-rian-johnson/">and the lost boys and regretful men who willingly embrace such a bargain already believe they have nothing to live for or look forward to</a>.

  • Chris Cabin (Slant Magazine)

    As in the very best Anthony Mann and John Ford westerns, <a href="http://www.slantmagazine.com/film/review/looper/6552">Looper at once understands the visual power of violence and is deeply critical of it</a>.

  • Lisa Schwarzbaum (Entertainment Weekly)

    Looper imagines a world just near enough to look familiar, <a href="http://www.ew.com/ew/article/0,,20483133_20620084,00.html">and just futuristic enough to be chillingly askew</a>.

  • David Edelstein (New York Magazine)

    If high-toned futuristic time-travel pictures with a splash of romance float your boat the way they do mine, <a href="http://nymag.com/movies/reviews/edelstein-looper-2012-10/">you'll have yourself a time</a>.

Also on HuffPost:

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Source: http://www.huffingtonpost.com/2012/10/03/bruce-willis-looper_n_1934602.html

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